Count 'em Down, Nic Johnston, Stage Band Grade 3
Brolga
Count ‘em Down is a classic “opener” in the Count Basie Style. It contains the hallmarks of the Big Band genre and is a great opportunity for playe...
View full detailsCount ‘em Down is a classic “opener” in the Count Basie Style. It contains the hallmarks of the Big Band genre and is a great opportunity for playe...
View full detailsReminiscent of Dave Brubeck’s “Take Five,” Five and Three is all about the groove. An opening melody, first heard in the trombones and soon passed ...
View full detailsThis instrumental hit by Hugh Masekela soared to the top of the charts in 1968, featuring an energetic pop groove and catchy brass riffs. In this c...
View full detailsBillie Eilish took the pop music scene by storm with this chart-topping hit from 2019. Catchy and quirky, this fun arrangement features a driving r...
View full detailsComposed in the early 1960s, this marvelous bossa nova may not be as well known as some, but is no less attractive, especially arranged here for yo...
View full detailsThis swing classic from bebop legend Charlie Parker belongs in every jazz library. The easy melody and blues changes make this a perfect fit for yo...
View full detailsMade famous by the Blues Brothers, this arrangement for vocal soloist (opt. tenor sax) features a driving shuffle groove, along with the distinctiv...
View full detailsMark uses a light samba feel to craft a marvelous setting of this Charlier Parker standard for the little big band format. Perfectly scored tutti e...
View full detailsThe Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The...
View full detailsIncludes: Ginger Bread Boy, Jordu, Lady Bird, Two Bass Hit
Plenty of solid tutti ensemble scoring is featured in this arrangement for small group of Sonny Rollins' familiar Latin standard. The solo section ...
View full detailsA medium bright swing at 160 BPM for Grade 3. The instrumentation is for tenor sax, trumpet, trombone, piano, bass, guitar, and drums, and the char...
View full detailsA great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out teno...
View full detailsA fine chart for a concert, a festival, or a dance gig. A medium swing at 114 BPM, written solos are provided for alto, trombone 1, and piano. With...
View full detailsAnother outstanding, swingin' chart from the expert Dave Wolpe. A great tune at 152 BPM, fat ensemble voicings, nice solis, written-out solos for t...
View full detailsYep, you guessed it---it's a funk chart. The groove is deep at 136 BPM, solos are written out for tenor and/or guitar, and lead trumpet range is to...
View full detailsBenny Golson's "Along Came Betty" is an outstanding jazz standard arranged to perfection. A medium swing at 120 BPM, the lead trumpet range is to w...
View full detailsA great jazz standard, this swing chart plays well at 176 BPM. Features of Adderley's "Work Song" include a lead trumpet range to written A above t...
View full detailsGordon Goodwin wrote this funky chart for Grade 3 to showcase trumpet 1 and trombone 1. Everything is written out to include the melody duet, the s...
View full detailsYou know this great standard, but check out how the chart goes back and forth from F to A-flat. The swing feel is around 148 BPM, solos are written...
View full detailsOpen any concert with this swingin' chart that will make your audience sit up! At a tempo of 208 BPM or faster, written solo space for tenor and tr...
View full detailsCharlie Parker's great bebop tune arranged to swing at 172--200 BPM. Plenty of excellent sax section solis, brass solis, solo space (suggested writ...
View full detailsA hard-hitting shuffle groove about 135 BPM. A suggested written-out solo is provided for C, B-flat, E-flat, and trombone. A nice swingin' shout ch...
View full detailsThe groove is a funky-rock played around 140 BPM. This chart is a great tune and excellent vehicle for guitar or any instrument. A suggested writte...
View full detailsThis is an adaptation of the original Polovetsian Dances from Borodin's opera “Prince Igor”. This very closely follows the original (you can’t make...
View full detailsStreet Funk is an easy funk chart for young bands. The rhythms look a little difficult on paper, but are easy to feel and to learn. The infectious ...
View full detailsA hypnotic straight 8th jazz waltz in the style of guitarist Pat Metheny that adds additional colors with soprano sax and flugelhorns. Counterpoint...
View full detailsThis chart was commissioned by the Normal West High School Jazz Band in Normal, Illinois. A funky laid-back acoustic bass line sets the tone for th...
View full detailsThis hard swinging 12-bar blues features the acoustic bass in a Thad Jones inspired setting. At a tempo of 140bpm, this chart provides a very acces...
View full detailsHere's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations wh...
View full detailsA haunting melody composed by a true musical innovator, this straight-eighth chart in 3/4 is an accessible trumpet or flugelhorn solo feature with ...
View full detailsHere is a beautiful trombone solo feature for jazz ensemble with optional string orchestra. The string parts can easily be replaced or augmented wi...
View full detailsEvery program needs a change of pace piece, and this half-time funk shuffle is the perfect choice. The infectious groove creates a modern sound, wh...
View full detailsThe music of rock group Queen is always fun to play, and particularly this hit featuring solo alto sax in the slow opening, then the full band rock...
View full detailsOriginally released by Electric Light Orchestra in 1978, this rock hit has been thrust back in the limelight thanks to numerous movie usages includ...
View full detailsRecorded by contemporary artists Shawn Mendes with Camila Cabello, this popular hit has ruled the pop charts with its seductive Latin style and mem...
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